‘Showing Congolese as only traumatized victims (or killers) may be highly offensive … but mostly it’s untrue.’

Yesterday I put up a post that in part explored how highly staged and stylized photography has come to define how we perceive women survivors of rape in The Congo. I’ve been pretty amazed that no-one wants to defend what has become the pre-eminent way of working on projects as a documentary photographer/photojournalist?  Shouldn’t we just admit what photography, stripped of text, or audio, can and can’t do?

Take a look into the eyes of the Congolese woman at the bottom of the page.  She has experienced more trauma then I could ever even begin to get my head round. Look at her. She is beautiful. Such dignity. What can the photographer add that isn’t already captured in such simplicity?

I think this comment from Agata Pietron about her feelings on working in Eastern DR Congo are really worth reading:

I remember how shocked I was when I went to Kivu for the first time … How much different the place was from what I expected (from what I saw earlier in magazines, books, etc).

Showing Congolese as only traumatized victims (or killers) may be highly offensive, but mostly it’s untrue. As duckrabbit writes, it is how ‘we’ want to see ‘them’, how ‘we’ imagine they feel.

I spent some time with women and youth there (and many of them experienced really traumatic events). I must say I was amazed how psychologically strong they were, and how they celebrated every minute. When the situation stabilized, there was not regular killings every day. Congolese women are not as fragile, traumatized and vulnerable as we see them. I was told by one woman, shortly after her husband was buried, that the life goes on.

Also, I’m not sure if its only B&W versus Color. And also, I realize that when it comes to DRC, and Kivu especially, it’s a tough place to work. The possibilities for working/photographing/reporting are very limited. You cannot go wherever you want, whenever you want. Many stay close to Monuc/Monusco and NGOs, which shape your vision a lot.
[Sorry for not eloquent way of writing.]

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A group of heavily pregnant women have a good laugh at duckrabbit's expense! (C) Yasuyoshi Chiba

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One of the heavily pregnant Congolese women MSF houses in Masisi. (C) Yasuyoshi Chiba

 

Author — duckrabbit

duckrabbit is a production company formed by radio producer/journalist Benjamin Chesterton and photographer David White. We specialize in digital storytelling.

Discussion (2 Comments)

  1. Stan B. says:

    It’s sometimes difficult to realize just how wrong reporters and journalists can get even the most basic of facts until you are there to witness the event, and the subsequent reporting. I learned this many, many years ago- and still need more than the occasional reminder, such as this, because the media’s version is simply so overwhelming.

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