Bear 71
Written by John MacphersonThis has been around for a while, but I revisited it this week as I’d been involved in a discussion about the ways that technology ‘distances’ viewers from nature. I was arguing to the contrary and cited this piece as a good example of technology, and data, driving an innovative understanding of the natural world. Some of you may not have seen it.
It cleverly utilizes data, metadata and a story, with ‘trailcam’ remote imaging interspersed throughout, to weave a compelling narrative that ultimately packs a considerable emotional punch. It also enables viewers to be a part of the narrative, enabling them to appear within the screen via webcam and be ‘aware’ of who else is participating simultaneously. It’s a full 20 minutes long and some might argue it could have been shorter and worked just as well, but the storyline as it is held my attention with no difficulty. I’m not a great fan of the anthropomorphic approach to natural history, but this piece with the bear as narrator, worked for me.
Here’s some of what WIRED had to say about it:
Bear 71 is a unique and powerful way of telling the story of a bear under the influence of human technology, using that same technology as the medium. By adding viewers as markers on the map alongside the video feeds from animals and fellow visitors to the site, Bear 71 allows its audience to watch surveillance of fellow participants while at the same time being subject to surveillance. The pervasiveness of observation throughout the story helps to bring the viewer deeper into the story, nurturing a deeper sympathy and connection with the wild’s wired animals.
It’s clever and it’s innovative, but the great thing is that at its heart it relies, simply, on a very compelling story.
